Nancy Childs Adjunct Art Professor North Country Community College 1994

Faculty

Elizabeth Berger, MFA, Ph.D.

Associate Professor & Design Plan Coordinator
Phone: (956) 665-3480
Email: elizabeth.berger@utrgv.edu
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Ping Xu, MFA

Associate Professor
Phone: (956) 665-3480
Electronic mail: ping.xu@utrgv.edu
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Ping Xu, MFA
Acquaintance Professor of Graphic Blueprint

Ping Xu was born and raised in Shanghai. Before joining the teaching industry in the U.Southward., he began his professional career and served as a graphic designer, an Fine art Managing director, a Creative Manager, and a Production Manager in the advertisement industry for x years. Ping has been teaching visual communication design courses at all levels in the U.S. academic domain since 2005. He joined The University of Texas Rio Grande Valley in Fall 2015.

Ping's expertise includes identity design, poster design, collateral design, ad design, interactive blueprint, digital photography, and typography. His research involvement is to create visual concepts through practical experiments and contemporary media and deliver ideas that inspire, inform, and obsess consumers and target audiences.

Ping Xu received a total of xx-two Statuary Awards inINDIGO Award International Design Almanac Competitions 2018 in Amsterdam, 2019 in Malaga, 2020 in Bangkok, 2021 in Amsterdam, and one Silver Indigo Award in 2021 in Amsterdam. He received a full of seven Silver and Bronze Awards in theUnited Designs Alliance (UDA)'s International Almanac Design competitions in Seoul 2018, 2019, 2020, and iii Silver and Bronze Awards in the U.South. in 2021. In February 2020, Ping too received an Honorable Mention in 2019 London International Creative Contest (LICC). From 2007 to 2020, Ping received xiii American Advertising Awards in ADDY Awards guild competitions in Mississippi, Missouri, and Texas.

Ping's logo design was published in book 12 of the LogoLounge Book Series in 2021. His ten graphic design and illustration works were published in Volume-Nine, Book-Seven, and Volume-11 of theInternational Contemporary Artists book series in 2013, 2014, and 2016. His vii graphic design works were published inUDA Annual in 2018 and 2019.

Ping too submitted work to join some professional exhibitions in national and international venues. Some of his graphic designs and photographs were accustomed by some national juried exhibitions in St. Louis, Missouri, Naples, Florida, and some international exhibitions in Korea, China, and Taiwan in 2016, 2017, 2018, and 2019.

Ping Xu initiated theCross Connections International Design Exhibition and curated it in 2008, 2009, 2010, 2012, 2013, and 2018. As an international exchange program, the visual advice juried exhibitions represented significant overviews of international graphic blueprint trends, featuring faculty and students works from many international institutions making their marks in the Visual Communication field within their respective countries. The participating institutions in past years were selected from the United States, Frg, Russia, Belgium, Southward Africa, México, China, and Taiwan. In 2018, Ping curated theCantankerous Connections 2018 International Exhibition of Blueprint & Illustration and collaborated with Brownsville Museum of Fine Fine art (BMFA) to showcase 96 works of visual communications and illustrations created by international faculty and students from ten participating institutions. They were School of The Art Institute of Chicago (SAIC); National Design Found at Moscow, Russia (NDI); LUCA School of Arts, Belgium (LUCA); Central Academy of Fine Arts, Communist china (CAFA); Luxun Academy of Fine Arts, China (LAFA); Shanghai University, Cathay (SHU); The University of Texas Arlington (UTA); Ming Chuan University, Taiwan (MCU); and Universidad Autonoma del Estado de Morelos México (UAEM). The purpose of this showroom was to requite a cosmopolitan view of the most exciting new work in graphic media. Eight participating institutions exhibited the xc-six works for well-nigh 2 weeks in their corresponding campuses.

Ping Xu is a member of the Art Directors Club, New York, a fellow member of the Type Directors Club (TDC), New York, a member of the American Institute of Graphic Arts (AIGA), and a fellow member of the American Advertisement Federation (AAF). Ping works as a freelancer to aid design many pro bono works for local communities, non-profit organizations, national clients in the U.S., and international clients in China and Taiwan to maintain a professional practice.

Ping Xu has led Study Abroad trips since 2011. Afterwards joining UTRGV, he led UTRGV students to Mainland Red china for Study Abroad trips in 2016, 2017, 2018, and 2019, and led students to Taiwan after their master Written report Abroad trips in the Chinese mainland in 2017 and 2018. Ping also coordinated and led UTRGV Graphic Pattern students to participate in an internship programme through the UTRGV Study Abroad Asia program, enabling students to gain an edge in the competitive chore marketplace and explore Asia cultures. The collaborating internship companies were McCann and Leo Burnett in 2018 and Ogilvy and Saatchi & Saatchi in 2019. As the UTRGV Study Abroad Asia plan faculty leader, Ping is currently preparing the new Asia trips in Korea, Nihon, and Taiwan for the future.

Ping Xu, MFA in Visual Advice Blueprint
Associate Professor of Graphic Pattern

Curriculam Vitae

Ping Xu, MFA
Acquaintance Professor
School of Fine art and Design
E-mail: ping.xu@utrgv.edu
EVABL ane.209
Phone: (956) 665-3480

Clara J. Choi, Ph.D.

Assistant Professor, Graphic Design
Phone: (956) 665-3480
Email: clara.choi@utrgv.edu
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Romeo Di Loreto born in Toronto Canada March 15, 1965. I grew upwards in a very simple Italian family from the Abruzzo region of Italia. My memories and cultural roots are strictly Italian, I retrieve the foods, ideologies and behavior. From Canada I have a great memory of the natural landscape and have respect for nature that the country reflects to the people and citizens. I accept great respect for the natural surroundings, as a child it was a refuge and escape from all around that was around me. Today the Mural and the natural surroundings has the same purpose, an escape and refuge. I studied photography at Ryerson University in Toronto Canada. Where I completed a four-year BAA Photography programme specializing in Sensitometry and photographic chemical science, with a minor in semiotics and aesthetics vision and I graduated with dean institutional honors. Afterward graduating I worked for Kodak Canada responsible for the technical division of the Kodachrome Processing Laboratories and collaborated and researcher for the film and paper innovative technology enquiry section. I began my teaching career teaching continuous teaching classes in the evenings for Ryerson University in Toronto. My passion for photography and teaching fabricated me decide to passionately attend graduate school and obtain my terminal degree where I could further my personal ideologies and visionary philosophies. After beingness accepted in several American Universities (Yale, Rhode lsland Schoolhouse of Art and Design, Art Constitute of Chicago, Rochester Establish of Engineering science, School of Visual Arts and the San Francisco Art Found) I choose to report at the Savannah College of Art and Blueprint in Savannah Georgia due to its unique surroundings which was very critical for my personal investigative visual and written research. After graduating from Savannah with Summa cum laude institute recognition and National Deans Listing. I then began to work for Archive Fratelli Alinari in Florence Italy. My vast knowledge as a Art and Culling Printer allowed me to investigate this wonderful world-wide recognized annal, and was challenged to make renew these glass plates to its original state. Afterwards Leaving Alinari I along with my colleague Paolo Woods opened Print Service (a custom black and white press laboratory) and Print Gallery, founded in 1994 and was recently airtight by who took information technology over.

Click Here to view entire Bio.

Click Hither to view Recent Works.

Curriculum Vitae

Romeo Di Loreto
Assistant Professor in Photography
School of Art and Design
Email: romeo.diloreto@utrgv.edu
BRUST 165
Phone: (956) 665-3480

Gina Gwen Palacios

Assistant Professor - Painting & Drawing / Acquaintance Manager
Phone: (956) 882-8805
Email: gina.palacios@utrgv.edu
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Lilia Cabrera has been didactics the variety of facets that make upwards public school art education since 1999. In 2007, Cabrera started didactics art didactics courses at UT- Pan American Edinburg, TX.

Cabrera'due south creative experiences are securely rooted in Brownsville, Texas, where she was born and raised. Upon graduating from Homer Hanna High School, Cabrera pursued her Bachelor of Fine Art at the University of Texas- Pan American. Her specialized preparation is in secondary art instruction and printmaking. In 2007, Cabrera fulfilled her passion in completing a Masters in Art Education through the Texas Tech University loma country programme known as the Junction School of Art.

Her success in pedagogy art in such a fashion where students can acquire to appreciate information technology equally if it were a core discipline has delivered positive change in the most challenging of students from differing backgrounds. Her teaching style weighs heavily on encouraging higher gild thinking and critical problem-solving skills, along with real life situations, in order to teach students to exercise their imaginations and promote fine art making. Her practice has earned her the recognition of being a Texas Art Didactics Association (TAEA) Leadership Scholar. She collaborates with TAEA in reforming country standards for art educators in the public and private school districts across the state.

Nonetheless, "showtime and foremost," Lilia Cabrera is an artist. Cabrera's art consists of amoeba-like, organic-similar, claw-like, sperm-like, and absurd-like figures that harmonize in a strange 'attack style' performance in her art. She likes to refer to this entourage equally 'La Contra,' which basically is that force that lurks around contradicting everything that is the 'creative yous.' The taboo of beingness a female artist determined to succeed in the art world through the creation of art that nurtures and plays the game with 'La Contra.' Cabrera'southward canvas, or surface for fine art making ordinarily consists of recycled items. Aluminum cans, plastic bottles, article of furniture crates, discarded plaster, and outdated organdy are just a few things that she utilizes in stamping her fight and eternal relationship with 'La Contra.' Cabrera imagines herself creating art for the residue of her life, instruction people the value of art in our everyday activities, and producing as much recycled fine art works in an effort to educate
the viewer of 'trash' alternatives.

Curriculum Vite

Lilia Cabrera, MFA
Lecturer II
School of Art and Blueprint
Email: lilia.cabrera@utrgv.edu

Phone: (956) 665-3480

My work is mostly improvisational. That includes sculptural and fourth dimension‐based actions that extend into social space. Exemplified in a performance collaborative chosen the Nationwide Museum Mascot Project (NWMMP), we appoint in sight specific performance making with the aim of promoting Museums and Fine art spaces to the public. I consider my work a social activity that can be a goad for soapbox and customs. Because I see my work as a fulcrum for listening and talking, the work that is produced tin can be, and frequently is, disposable. I prefer the transitory energetic interaction between homo beings over the stored energy of a congenital-to-last object. Another way to put information technology is that art, for me, is a beautiful context to assist u.s.a. communicate with one another.

I love the alchemy of making. I love the swiftness of fabricating from found materials. For me, fine art is almost discovering the beauty that others overlook, and juxtaposing disparate objects and ideas to create something never seen before-at to the lowest degree by me. Execution must be fast, materials must be cheap, and the idea must spark me to action. There are always reasons non to make stuff, simply if I don't make it, who will? At to the lowest degree, who will arrive like I volition brand it?

At that place are times when the ideas come so apace that I am overwhelmed. In those moments, information technology has to exist enough to fix a idea to paper in the form of a sketch or brief text. By hanging a notion in a sketch-volume I tin can call back information technology subsequently; pull it out and put information technology on. I recently gave a talk at UCLA about drawing. While researching the talk I understood that for me, drawing is a way of property an idea. The drawing, whether information technology is in the class of a quick sketch, a detailed cartoon, a h2o colour, or a finished slice, brings elusive thinking and thoughts into focus just plenty, not to solidify and ground something into a set reality, but to keep information technology alive, fix to be acted upon in the physical world.

Allan Kaprow in one case said to me: "Y'all make good piece of work but you retrieve too much." Merely play. Just do. This is a phone call to activity that I have never forgotten.

Curriculum Vitae

Brian Dick
Lecturer I
School of Art and Design
Email: brian.dick@utrgv.edu
VABL 1201
Phone: (956) 665-3480

Corinne Whittemore is an artist, single female parent, graphic designer and educator. She grew upwards in the Rio Grande Valley (RGV), received her MFA in Visual Communications from the University of Arizona and has been teaching at the University of Texas Rio Grande Valley for the past six years in graphic design. Corinne has worked in the field of graphic pattern for over fifteen years as a Production Artist, Graphic Designer, Marketing Coordinator and Freelancer on both the East and West Coasts. She lived, virtually recently, in Virginia Beach, VA before moving back to the RGV in 2014. Corinne has and continues to freelance, consult, and exhibits her artwork locally and nationally.

Having grown up in the RGV, Corinne has first-manus feel with its unique border culture and, challenge it every bit her own, has focused her research and artwork effectually the hybridity of her borderland identity. Collaboration is integral to both her fine art and graphic design and Corinne is currently collaborating with two other women poets, Katherine Hoerth and Julieta Corpus, to produce a book of art and poetry called 'Frontier Mujeres.'

Borderland Mujeres is a collaborative, bilingual conversation in poetry and art depicting the multifaceted experiences of women living in the borderlands of deep due south Texas. In this fraught political climate, much has been written ABOUT the Rio Grande Valley and U.S/Mexico border, but what about the people who call this place domicile? Iii women, each with a dissimilar relationship to the borderlands, come together to offering their vision of the cultural, linguistic, and ecological landscape of a region that is multifaceted, circuitous, and total of both majestic beauty and stark reality. The resulting poems and images explore what it means to be a woman living in this contested infinite from different perspectives, angles, and voices. This project challenges the masculinized narrative of the region, the images of a militarized and dangerous space, and the idea of a centered, singular identity of the peoples of the borderlands. This project hopes to spark questions and chat almost identity, feminisms, and the idea of collaboration/ekphrasis in art and poetry and is scheduled to be published in 2021.

Elizabeth McCormack-Whittemore, MFA
Lecturer I (OYA)
Schoolhouse of Art and Design
E-mail: elizabeth.mccormackwhittemore@utrgv.edu

Phone: (956) 665-3480

Sharon Hewitt

Function-time Lecturer
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Source: https://www.utrgv.edu/school-of-art/faculty-and-staff/faculty/index.htm

Nancy Childs Adjunct Art Professor North Country Community College 1994

Faculty

Elizabeth Berger, MFA, Ph.D.

Ping Xu, MFA

Clara J. Choi, Ph.D.

Gina Gwen Palacios

Sharon Hewitt

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Nancy Childs Adjunct Art Professor North Country Community College 1994

Faculty

Areas of Expertise

Teaching

Elizabeth Berger, MFA, Ph.D.

Areas of Expertise

Education

Ping Xu, MFA

Clara J. Choi, Ph.D.

Gina Gwen Palacios

Areas of Expertise

Teaching

Sharon Hewitt

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